Posts Tagged ‘American’

Koldcast’s 15 Most Under-Appreciated Comedians

July 26, 2010

Koldcast.tv is a great site for digital content of all sorts, but today I found a simple blog post that I found incredibly interesting.  As a MONSTROUS comedy nerd, I tend to value and follow certain comedians that most people don’t care at all about, if they’ve ever even heard of them.  Which is quite a shame.  Because for every unfunny JB Smoove and Pauly Shore character out there that has struck enormous mainstream success, 30,000,000 other MUCH-funnier, MUCH-more-cerebral, MUCH-more-deserving comics are still struggling with a fan base not much bigger than their immediate friends and family.  That’s why this list of the Under-Appreciated made me so happy!  And while certain people on here have just recently blown up (or are just about to) the list still mostly rings true for these funny people.  First, here’s the actual link to the post itself.  Below I have quickly and succinctly gone down the list and analyzed Koldcast’s suggestions.  If for nothing else, it would be a small victory if just one of these artists received a smidgen of recognition off of this list.  So, without further ado:

1.  Andy Kindler

While Andy Kindler IS great, he just recently landed the VERY cushy, coveted title of being a judge on NBC’s Last Comic Standing.  Kindler has been doing comedy for YEARS and after all the writing gigs and stand-up, it is extremely refreshing to see him in such a great position.

2. Matt Berry

Berry is actually one of my favorites from this list.  I fully agree that his voice is like a soothing chorus of angels against a light thunderstorm in the background of my mind.  He is absolutely hilarious on Garth Marenghi’s Darkplace, and exceptional, as well, on my favorite, The Mighty Boosh.  American audiences need to wise up to this man’s incredi-mazing-ness right quick.

3. Peter Serafinowicz

Another incredibly talented Brit who seems to appear all across the board, but still hasn’t achieved that massive name success that so many comedians bank on to further their careers.

4. JB Smoove

This entry I outright disagree with (as referenced above).  His style of EXTREME over-the-top comedy punctuated with random yells and the most trite, predictable comedy I have seen in years, keeps you rolling your eyes and groaning through his entire set.  To add insult to injury, Comedy Central just recently gave Smoove a half-hour special to MC.  While I love Comedy Central dearly, they do have a problem with just handing loud, overbearing, unfunny people money (i.e. Carlos Mencia).

5. Andy Daly

Andy Daly has been plugging away at the comedy scene for years now.  While he’s not quite my brand of ha-ha, he has been at it for years continues to weave in and out of random groups and circuits with relative ease.

6. Aisha Tyler

Tyler is hilarious and represents a demographic with almost zero representation in the comedy world, the demographic of fangirl.  Tyler’s comedy is hilarious and generally tends toward the nerdy side, which usually leaves audiences either scratching their heads or simply disregarding what she says as not true, because the woman looks like an Amazonian.  She’s incredibly tall and gorgeous, to boot, so when she starts on a Slave Leia Cosplay story, many have trouble imagining her going to lengths to perfect the tin bikini.  Content aside, she is INCREDIBLY deserving of greater recognition and more roles in front of larger audiences.

7. Michael Hitchcock

Hitchcock I, myself, have not heard of, yet I have seen Waiting for Guffman.  That being said, an acolyte of Guest’s is usually not right up my alley.  His humor is generally too dry for my tastes (and as an avid fan of Stephen Wright, that’s TRULY saying something).  What I’m trying to say is that I can’t pass judgment, though I would like to.

8. Jessica Walter

Walter is someone I know when I see her, but, once again, I don’t know enough to comment!

9. David Pasquesi

Ditto.

10. Terry Crews

Terry Crews has always been hilarious.  With his Old Spice campaign and his role in the upcoming move The Expendables, I don’t know if this man needs much more exposure.  Mr. Crews may be right where he needs to be.

11. Molly Shannon

While I do dearly love Molly Shannon, I will say this, she has had more than her time to shine.  Shannon was a formidable presence on SNL during its third most popular streak, in which Tina Fey was writing and Will Ferrell was still performing every minute of.  Shannon even had multiple engagements after SNL, with movie and TV deals (remember Kath and Kim, anyone?) yet simply couldn’t capitalize.

12. Kristen Schaal

Schaal is an all-around talent, more-often-than-not actually taking to the stage, rather than the screen.  Her work transcends SO many different formats, however, and it would be lovely to see what she could do on a larger scale.

13. Nick Swardson

Swardson is hilarious.  His illustrious stand-up career has never seen a lull and he has consistently had his hand in Happy Madison’s productions, either writing, performing, or both.  In the Fall, however, Swardson will finally get his own sketch show on Comedy Central!

14. Amy Sedaris

Sedaris seems to have been everywhere and seems to have done it for the last 15 years.  I first came across her on Stranger’s With Candy, but between hawking her book and just making guest appearances, she pervades ALL FORMS OF MEDIA.  She even narrated a PBS special on the history of American comedy.

15. Robert Smigel

Smigel has written for SNL and Conan and is responsible for Triumph the Insult Comic Dog, The Ambiguously Gay Duo, and DAAAAAAAAAAAAA BEARS!  In some form or another, people know Robert Smigel.  They just don’t know…Robert Smigel.  I’d be very interested to see what the man is up to currently, and what he has in store for the future.

LEAVE DAVEY ALONE!!!

November 2, 2009

TommyBoy-719742

I wasn’t even going to cover this issue as it was beginning to die down in the media and opinion seemed to be swinging more to the side of reason. However, it takes very little to ignite the powderkeg of nerd-roided fury I always keep at a simmer, and an article on /film is perfectly fitting. There had been a bunch of hubbub recently about the DirecTV ad featuring David Spade re-enacting a classic scene from Tommy Boy in which the late, great Chris Farley’s image is imposed. As you can well imagine, the ad had been in contention from the very moment it was launched. In fact, the first time I viewed the ad was in a response post on /film. While it may be an eyebrow-raiser at first, the ad does nothing maliscious to Farley’s image and even seems to celebrate it with Spade delivering a fourth-wall-breaking “It never gets old” to the camera. Let’s also take into account the oft-pointed to fact that Farley’s family themselves are the only ones capable of signing off on this endeavor. They agreed to the promotion along with Spade, one of Farley’s best friends up until his death, and they are the ones reaping the benefits of Farley’s image.

While everyone is up-in-arms over the usage of a dead celebrity’s visage, let’s take a few things into account here. Farley’s image is not doctored AT ALL. It is the exact clip from Tommy Boy even in its original context of the joke. Far from being derogatory, the clip is actually a celebration of the work of Farley and seeks to advertise DirecTV through the love and fanbase that this movie has established. What Farley produced, his works, are in the public consiousness now. Though he is gone, Tommy Boy lives on forever in the hearts and minds of its fans (excuse me while I get down from this tall soapbox). Understandably, utilizing Farley’s PERSONAL image to increase revenue would seem dubious, but replaying and reopening an old work that he did is far from mistreatment. In fact, it runs more along the lines of enforcing admiration for Farley’s craft. If this commercial had never been produced no one would have taken a moment out of their day and said, “Wow, it sure is great that Chris Farley’s image is being upheld through its non-usage in the public sphere.” No. No one would have even thought of it, save for someone who randomly remembered a snippet from the film and went home to rewatch it. What the DirectTV ad is doing is channelling the public love and reverence for this movie into marketing and sales. Sure, Farley’s work is being used to push product, but what do you think it does on cable, in syndication? With over 30 MINUTES of advertisements juxtaposed in? This ad is doing nothing worse than running a movie on basic cable. Actually, it’s doing one better, as it is creating a symbiotic relationship with the original work in that it is bringing it back into the forefront of public perception quickly, efficiently, and repeatedly. Tommy Boy has seen more press coverage and attention in the last few weeks than it has seen in the last few years. And when it comes to classics like this, preservation and celebration of the work IS what counts. Do you really think that in 25 years, kids will have a DIRECT connection to Tommy Boy? Think of other classics from 25 years ago. Most of Mel Brook’s more obscure but arguably better canon (Blazing Saddles, Young Frankenstein, History of the World, etc.) is unknown by today’s generation. The only way they come to knowing these works is through interactions with older generations that pass these tomes down to them. These commercials bringing Tommy Boy back into the public consciousness are as crucial to keeping the movie relevant as any other form of preservation. They provide quick, continual reminders of the film as it was. Not doctored, added to, or subtracted from, just a short segment from a true American comedy. How can this downplay the legacy that Farley left on this Earth? If anything it enforces it by creating conflict and reentering the late comic into the sphere of relevance.


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